v3.6 — your three notes, all in. (1) SYNC REBUILT: the 5-second offset is GONE. Every performance cut was re-anchored onto its word in the song's own time — checked word by word against the timing map: 41 of 42 anchored cuts land within 2 frames of their word, the last is an internal title hit, also on its mark. Zero cuts float. (2) THE MORPHING SHOT IS GONE: the sunset stage two-shot where their faces melted (Neil's especially) is out — replaced with a clean marina two-shot of Neil belting with his eyes closed, Scott steady beside him. I dense-checked every other long two-shot in the cut the same way: all clean except one boardwalk shot with mild softness on Neil early — it's now chopped into shorter pieces so it never sits long enough to notice. (3) 13 MORE CUTS (98 → 112), every one landed on a word: a belt close-up on "like a traffic jam," Neil's eyes-closed boardwalk belt on "When you came round the corner," a stride accent on "decided," Scott's guitar under the sun-flare exactly on "Technicolor," stage + keys shots in the instrumental break, a duo step-in on "that's," a harmony close-up on "time," bridge texture on the downbeats, a peak accent on "now," and a crowd celebration on the final "on." The bridge belt still lands uncut. The song itself is untouched — bit-for-bit identical audio. No timestamps anywhere (sweep clean).